Sunday, May 27, 2007

Taking the Long Way Home

Nothing to report today, but here, via Daniel, is something to keep you busy for a while - the best tracking shot [i.e., all one take, no edits] in cinematic history, from Orson Welles' Touch of Evil. It's set in Mexico and, yes, Chuck Heston is supposed to be a Mexican here. He really wasn't believeable in anything before Bowling for Columbine, was he?

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